Introduction
John Stuart Mill's philosophy provides one of the
more comprehensive insights.
Mill argues the only time coercion is acceptable- (by that I mean ensuring or persuading someone to do something
they are unwilling to do or take into consideration ) is when a person's behaviour harms other
people—otherwise, societies should treat diversity with respect.
His Utilitarian approach contained in his essay on
Liberty champion’s individuals and society rights to embrace unpopular opinions
since they may turn out to be correct or successfully challenge entrenched
ideas to underpin progress.
Liberty according to Mill is integral to progress for two main reasons. First, the unpopular opinion may be right and secondly it enhances debate leading one to better understand opinions.
Some of the problems that emerge from his
Utilitarian approach is that it is often impossible to determine if a work in
fact will causes widespread harm until well after the event of the published
work. One sees the growing capacity for dangerous conspiracies that continue to
spread misinformed views all hatched under the context of free speech. The
damage is sustained long before harm can be ascertained.
In that respect some sort of community standard
seems necessary other than purely the subjective idea not to cause harm.
In Australia diversity and inclusiveness of individuals is now recognised in legislation to ensure one is free to make personal choices about ones identity and to enshrine
Privacy provisions that prohibit non- consensual
personal information being disclosed,
Individuals cannot be forced to identify and state
their pronouns, disclose their sexuality, or express personal preferences which
contravenes anti-discrimination laws in existence.
Authors need to be aware of these provisions to avoid offence but it seems an overreaction to go back and amend past books and publications to conform to these recent laws, analogous to tearing down old statues of those prominent figures now considered offensive in the light of their past actions.
But one obviously needs to be familiar with these laws when writing an autobiography to avoid offence. Generally speaking fiction writers presume those reading their works accept the fictional basis so they are free mostly except for porn or disgsting material.
As far as autobiography is concerned a writer’s position is no different to individual rights in everyday life - the freedoms and restrictions under the law from which ignorance is no defence.
Mill’s concept of individualism
However, Mill does recognise there needs to be some
brakes within governance. He realizes that a society that becomes completely
free of any constraints inevitably will succumb to a powerful minority who will
override an individual's basic rights and curtail freedom.
Liberty is compatible with an enjoyment of freedom
enshrined in law and by regulation. Hence a democracy needs to ensure
individual rights of expression are enshrined in its governance and only
curtailed where outcomes can be demonstrated to be harmful according to
Mill.
He sees the individual as paramount in governance
to take precedence over the state.
Hence, the state exists for the individuals rather
than the other way around. This assumes a degree of individual education within
a properly constructed society. That might lead one to argue that concept
entails a leap of faith. But Mill does acknowledge such an idea of
self-sufficiency cannot apply to children and some of those with limited mental
or physical capability.
He advocates warnings against dangerous practices
and poisons rather than making them illegal or banning their use.
Liberty and limits on powerful groups are
compatible aims.
But to reiterate the question of liberty implies
equality to achieve the individual’s participation which may call in turn
involve far more intervention than possibly Mill envisaged.
How can people have a say if there are no laws and
effective governance to ensure minorities and the disadvantaged are able to be heard
by those in power. One powerful person’s freedom might enslave another to
silence.
Hence the necessary regulatory oversight is
imperative if the rights of all individuals are to be maintained.
Entertaining entertainment as one way not to avoid
harm to others.
Within the bounds of entertainment (as to how we
define it) it is hard to see how literature, films or whatever media is
involved can cause harm when produced purely for entertainment and the reader
is suitably informed. Of course there must be some limits set as a form to
restrict distribution to the vulnerable, children and where community standards
necessarily give rise to a ban on disgusting material. That involves the
subjective definition as to what is entertainment or art and what isn’t.
Moral purpose and intended outcomes
I am reminded of the words of Mark Twain who
emphatically denied that no person should ever read anything into his work
other than it was just a story intended to entertain.
For it seems that this view of writers, that aim to
entertain can hardly be construed as causing harm. Furthermore it is common
practice for writers to include a note that no characters in any novel
represent real people and that any perceived resemblance is
unintentional.
In other instances an author might legitimately
engage in a social challenge to highlight injustices of one kind or another
within the fictional characters that make up the narrative, so as to confine to
the fictional narrative and avoid personalization. Even so one generally
might want to present both sides to any matter which is bound to
create more interest and integrity to avoid the author's bias to be on
display.
Autobiographical and memoirs are always subjective in the eyes of the author
The degree to which we see ourselves will always
differ as to how we are perceived. So that if you wanted to understand the real
personal nature of someone an autobiographical account may not be a good
starting point. If you were afforded the luxury of being able to talk freely with
those who knew that person well you may have a better perspective but even so
memories are not always reliable.
Ultimately the author’s ego is potentially going to
show matters in their best light unless a disciplined factual approach is taken
which concentrates on events and outcomes to avoid judgements on people and so
forth. It’s hardly surprising that many celebrities’ autobiographical accounts
invoke hostility between siblings after publication whose perspectives markedly
differ.
A good example of how to avoid such pitfalls is acclaimed novelist P. D. James ‘A Time to be in Earnest’ who is described by reviewers as a rich “fragrant of autobiography”.
She concentrates on her life’s experiences-
beginning with school days, being happily married, the tragedy of her husband’s
mental illness and the great thrill of her first novel being published.
We learn something about her as a person inclusive
of an obsession with Jane Austin and her ideas on the evolution of the
detective novel as a form of popular entertainment, together with her fears it
might entertain ideas of crime amongst readers which she aims to overcome with
moral outcomes.
Herein we see the advantage of an author seeking to
be entertaining and interesting to provide insights into her area of expertise
with glimpses of her desires for ethical outcomes.
There is an absence of controversial judgments
about those close to her or matters bound to stir up hostility.
Q & A – Possible answers to questions
What are the responsibilities of a writer?
The concept of authors looking to entertain readers
seems to offer the best perspectives of not causing harm, to concentrate on
factual and or perspectives that don’t involve controversy. Rather the author’s
fictional characters are the ones challenging social issues where
applicable. In Australia diversity and inclusiveness of
individuals is now recognised in legislation to ensure one is free to make
personal choices about ones identity and to enshrine Privacy
provisions that prohibit non- consensual personal information being
disclosed,
Authors need to be aware of these provisions to avoid offence but it seems an overreaction to go back and amend past books and publications to conform to these recent laws, analogous to tearing down old statues of those prominent figures now considered offensive in the light of their past actions.
An a emergent modern day phenomenon for fiction writers to pragmatically embrace the concept “anything goes” since it’s fictional and you need to understand that if you’re a reader of fiction, so that’s the end of the matter.
Similarly as far as
autobiography is concerned a writer’s position is no different to individual
rights in everyday life - the freedoms and restrictions under the law from
which ignorance is no defence.
How should a creative person approach their craft? How far
should they go to avoid
offence (if at all)?
Some acknowledge they have responsibilities and what about a balanced approach?
To add a moral dimension that can be effectively woven into the story by way of a parable or in a narrative it is best to avoid pointing the finger - at individuals or causes. Where it is known to be a controversial topic allow the fictional characters to engage in a balanced debate to show both sides and thus avoid offence. But one obviously also needs to be familiar with new laws when writing an autobiography. From a pragmatic perspective a fictional account needs to be accepted as such if you’re a reader of fiction.
What degree of freedom of expression do you give yourself? Offence be damned? Truth (my version of it) at all costs?
Artistic integrity
paramount? Minimizing harm to others? Compromise?
When writing an Autobiography one preferably
aims to be entertaining and interesting about you life’s journey by providing
insights into your area of experiences - glimpses of your desires or aims that
shape your narrative. That possibly excludes any adverse judgments about
those close to you or to entertain one sided options on controversial matters
bound to stir up hostility. Ultimately one has to be careful not to allow
one’s ego to potentially show matters in terms of self-interest as in
the best possible light always, but rather to opt for a factual approach
to concentrate more on describing the events, their outcomes and feelings at
the time.
To reiterate a good example of how to avoid such pitfalls is acclaimed novelist P.D James who “Time to Be in Earnest” described by reviewers as a rich “fragrant of autobiography” “where she concentrates on her life’s experiences- beginning with school days, being happily married, the tragedy of her husband’s mental illness and the great thrill of her first novel being published.
We learn something about her as a person inclusive
of an obsession with Jane Austin and her ideas on the evolution of the
detective novel to become a popular entertainment for many, together with her
fears it might entertain ideas of crime which she aims to overcome with moral
outcomes.
Herein we see the advantage of an author seeking to
be entertaining and interesting in the absence of harsh judgments about those
close to her or to talk about controversial matters presented in such an emphatic
manner it is bound to stir up hostility.