Wednesday, May 10

When goodness and good intentions may not be enough

 Nietzsche’s philosophy in his “Genealogy of Morals” confronts the reader with two important questions: - what value has morality and that of truth?

Truth for Nietzsche is a relative matter, dependent upon our interpretations- at first glance we might be inclined to say he is a postmodernist which however he isn’t. His idea of truth depends upon whichever interpretation prevails at a given time which is a function of power.  Page 45 - What Nietzsche Really Said - Solomon / Higgins.

 

On the question of what is good Nietzsche's critique of traditional morality centred on the typology of “master” and “slave” morality. By examining the etymology of the German words gut (“good”), schlecht (“bad”), and böse (“evil”), Nietzsche maintained that the distinction between good and bad was originally descriptive, that is, a non-moral reference to those who were privileged, the masters, as opposed to those who were base, the slaves. The good/evil contrast arose when slaves avenged themselves by converting attributes of mastery into vices. If the favoured, the “good,” were powerful, it was said that the meek would inherit the earth. Pride became sin. Charity, humility, and obedience replaced competition, pride, and autonomy. Crucial to the triumph of slave morality was its claim to being the only true morality.

Bernard  Magnus, Professor of Philosophy; Bertrand Russell, History of Western Philosophy, Magill (Ed) 'Masterpieces of world Philosophy' and notes added by G. Eraclides.  

 

Nietzsche's consistent use of militaristic metaphors also gives an impression of aggressiveness, but by all accounts he was a gentle polite soul. He believed one must “philosophise with a hammer” as was necessary to wage "war against morality".

 

Observations

Nietzsche foresaw, as the army of non-believers grew, nothing existed to fill the cohesive gap religion provided even though it was slave related. So that society must descend into nihilism- the absence of any defining values. Despite his pessimism, he foresaw an emergent higher valued golden culture could emerge from the ashes, spearheaded by his ‘man made’ supermen. 

But firstly one must tear down the old idols, ideas and errant slave related philosophies so that practically nothing is spared. His theme proposes we adopt the diversity in nature, to be free spirits, to rid ourselves of the slave mentality. For religion had become corrupted and decadent - humility was only exercised so one might be exalted, to support a loathing of the body, to engage in an unhealthy collective guilt and to exasperate suffering. Christ was the great free spirit, vainly speaking in parables attempting clarity to reject the idols and corrupt controlling institutions. He was the only true Christian but he was killed – so that what followed was a distortion - decadence and the corruption of ideals – the distorters such as St Paul and what followed. Nietzsche was against any form of utilitarianism, which is evident in today’s institutions, aimed at serving a common good. Rather, his heartfelt philosophy is inspired by the free spirits of the Homeric Greeks. They relied on instinctiveness and freedom, of inner lights and life affirmation to exemplify the joyful here and now. Aristocratic ideals not subject to the mediocrity of democratic governance. However the question arises as to how practical is it to rely on the noble spirit and instinctiveness?

By instinctiveness Nietzsche means to intuitively avoid becoming slaves within one ideology. He believed all religions were unable to provide the truth- for it is the responsibility of humanity to discern what is true and good. But he never pinpoints any system of governance or methodology other than the vision of the overman and his accompanying works.      

One did not have long to wait after his death for his prophecy to be realised, given the mass slaughter of the First World War. But the question is how much can be fairly attributed to his reasons?           

His vibrant and aggressive style was in marked contrast to his poor state of health.  He experienced the terrible brutality of war as a 25-year-old hospital attendant in 1870 in the Franco-Prussian War (1870-1871). Caring for traumatically affected or wounded soldiers he contracted diphtheria and dysentery.

The aftermath was pain and suffering became his constant companion. He suffered a complete mental breakdown in 1889 and never recovered to die in 1900.

However, his work was subsequently misinterpreted and corrupted by his sister Elizabeth in support of the Nazi party of which she was a member.

Upbringing and early influences  

Born in 1844 in the Prussian town of Rocked, in Germany, he was the son of a Lutheran pastor who died when Nietzsche was only 5. Moving to Naumburg his formative years were with his mother, sister and two maiden aunts.

Both Nietzsche grandfathers and his uncle were Lutheran ministers, as was his paternal grandfather, Friedrich August Ludwig Nietzsche (1756–1826) - a distinguished Protestant scholar. His primary education was at a boy’s school to progress to a private institution, at Pforta in Naumburg.

Later, he gained admittance to the prestigious boarding school, Schulpforta, which recognised his accomplishments in music and language, where he studied ancient Greek, Roman literature and composed poems and music. 

He was also influenced by Epicurus (341–270 BC) who talked about the need to learn about what satisfies fundamental needs, which mostly involves a radical upheaval to reprioritise one’s life.

“He who understands the limits of life knows how easy it is to procure enough to remove the pain of want and make the whole of life complete and perfect,” he wrote. Seize the day!

After graduation he enrolled in Bonn University (1864) as first in theology to later switch to philology. 

Inspired by Arthur Schopenhauer in 1865, Nietzsche was enthused to then study philosophy, and read all of his works and studied others such as Kant’s -anti- materialistic theories.

He switched to the University of Leipzig, to follow his favourite professor Friedrich Ritschl. The Professor was impressed by Nietzsche and published his essays in academic journals. Nietzsche was offered a Professorship in Greek Languages and Literature at the University of Basel in Switzerland. In the intervening time whilst in mandatory military service, he suffered a severe accident whilst attempting to leap-mount into the saddle of a horse. A serious chest injury meant he was placed on sick leave as his wound refused to heal.

Returning to Leipzig he met the composer Richard Wagner (1813–1883), and they developed a close friendship to visit him in Switzerland. There he also met Hermann Brockhaus (1806–1877), who was married to Wagner’s sister. Brockhaus was an authority on Sanskrit and the Zoroastrian religion, whose prophet was Zarathustra (Zoroaster). That association was to ignite his interest in the Zoroastrian religion and paved the way for his later works – ‘Thus Spoke Zarathustra ‘(1882- 1885).

University Life at Basel

Nietzsche, aged only 24, took up a professorship at Basel despite the fact he was yet to complete his doctorate. He admired both Ricard Wagner and similarly continued to enthusiastically support Schopenhauer’s Philosophy. His first major published work, the ‘Birth of Tragedy’ in 1872brought high praise from Wagner, but harsh criticism from academia.    

Nietzsche examines the tension between the “Apollonian” and the “Dionysian” forces- the Greek GOD of light and reasons and the GOD of wine and music.

Nietzsche favoured Dionysus to be an uplifting alternative to religion, which he contends focus excessively on heaven. Nietzsche’s “Dionysian” energy, which he favours, dates back to the pre Socratic ancient Greek culture which he regards as a more creative and a far healthier force. He feels this dynamic element of Dionysian influence has lost ground to the “Apollonian” forces of light and reason. But the flowery language and inaccuracies did not sit well with authoritative Philologists who were fiercely critical to damage his reputation to the extent enrolments were curtailed to his courses. Much later on Nietzsche attempts self-criticism, noting the earlier work bore the fruits of his adolescence. He reverted to an “Apollonian” as a philosopher reliant on the forces of light and reason. Towards the end of his university tenure Nietzsche began to write Human, All-Too-Human (1878)—which turned out to be a pivotal moment which served to end his friendship with the anti-sematic Wagner following his attack on his artistry. For the remainder of his time Nietzsche was a highly respected figure at Basel, until his resignation in June, 1879, aged only 34, due to his deteriorating health. He suffered worsening migraine headaches, eyesight problems, depression and severe stomach complaints.   

Later major work and style 

After his early retirement Nietzsche published Human only to Human (1878-1880), The Dawn of Day ((1881) The Gay Science (1882), Thus Spoke Zarathustra (1882- 1885), Beyond Good and Evil (1886) Genealogy of Morals (1887) and Twilight of the Idols (1889). Nietzsche style reverted to the use of aphorisms as a means to mount a critique of conventional philosophical wisdom and to write in such a manner to appeal to the widest possible audience.

Critiques of his work argue it is a never ending narrative of disjointed or disorganised aphorisms. But Scholars Solomon and Higgins (What Nietzsche really said – argue on pages 49- 50) state such a style ensures his work is more easily digestible- freed from the chains of metaphysical forms of thinking that Nietzsche despised. 

His poor physical health led him in his quest for spiritual health - in what he describes as a constant state of becoming which sustains him. Possibly this is why he sees no room for compassion. But the question arises is this a valid point to abandon the idea of compassion?    

A brief summary of most of his works is as follows:

Human only Too Human

Nietzsche's first lengthy contribution to literature, since as his previous works comprise only philological treatises. Nietzsche addresses his concerns of the ensuing crisis he sees for mankind.  

The Dawn of Day

The title might represent Nietzsche's work when he is no longer under the influence of Schopenhauer or Wagner. It is a critique of morality and suggests the need for a “revaluation of all values.” Nietzsche talks about the problems associated with Christianity and that it is power which principally underpins human behaviour.

Gay Science

A polemic against rationality as he favours the instinctive approach. That is in the sense of an intuitive style to embrace vitality, artistry and visions that take humanity out of its present state of enslavement. Nietzsche detests any authoritative set of values and champions the idea of the free spirit.

It is in ‘The Gay Science, that Nietzsche declares God is dead.

He is the first philosopher to talk about the death of GOD, which  means ( according to Nietzsche) that as people give up the idea of understanding GOD and that reading the bible will tell you what to do, religion will lose its grip on the culture. There are some people who will continue to believe but fewer into the future.   

Thus Spoke Zarathustra

Plot Summary

Zarathustra descends from 10 years of solitude on the mountain prepared to teach humanity about the overman. At Motley Cow he explains the meaning of life – the overman (superman) is one who is free from all prejudicial concepts or moralities - who thereby creates his own values and a purposeful joyful life.

The people are bewildered and lose interest in the overman.

But the exception is the tightrope walker, who subsequently falls and dies. Zarathustra decides the only possibility is to try to convert the few individuals who are willing to stand out from the crowd. He explains to these few who come forward about the doctrine of eternal recurrence - all events will repeat themselves again and again eternally. None of the followers fully attain the position of the overman, although they grow in stature. But they all enjoy feasting and a joyful songful exchange with Zarathustra- to embrace the idea of eternal recurrence.

Nietzsche’s narrative reverts to a parable-like style, to describe the existential struggle and sacrifice undertaken by the overman.  The struggle is analogous to symbolically scaling mountains, whilst remaining hearty, full of laughter and gaiety- to exemplify the free spirit of the overman. This is his answer to the looming chaos facing the western culture as he sees it, but is it too vague a notion to really take hold? 

Beyond Good and Evil (1886)

This is ambitious work that tempts us to discern what is true and good. The crux of his analysis is to distinguish between truth as in scientific truth and value which he links to the will- by will we mean the faculty of the mind. He criticises philosophers who are reliant upon “self-consciousness, and “free will”. Rather, he takes us beyond the concepts of good and evil and introduces us to the notion of the will to power- a psychologically derived drive from which we experience through the senses to constitute one's overarching will.

In a nutshell Nietzsche proposes the concepts of good and evil are not the opposing forces as one might think of them. Rather, there is only the will to power that is the driving force to our existence and enables one to discern what is true and good. When we understand this factor it will allow us not to be judgmental but to aspire paradoxically to a higher morality.      

Twilight of the Idols, Philosophizing with a Hammer-1888

Nietzsche revisits prior criticisms of Socrates, Plato, Kant, Christianity and German culture. He contrasts their alleged cultural decadence to reaffirm his positivism to Thucydides and the Sophists. He invites his audience to test the idols of the past to allegorically tap on them- “sounds them out” so to speak to determine if they are hollow, just as a physician would use the percussion hammer.

 ‘Death Knell’ - On the morning of January 3, 1889, while in Turin, Nietzsche experienced a mental breakdown which left him an invalid for the rest of his life until his death in 1900.

Conclusion

Despite suffering terribly his prodigious work provides a testament to his own will and immense material to ponder, about which continues to be subject to countless interpretations.

Nietzsche’s hope is that as free spirits one can be unbounded by the shackles of dogmatism to embrace hardships in a constant state of becoming as part of that circle of eternal recurrence. 

 

Quote

“I am a forest, and a night of dark trees: but he who is not afraid of my darkness, will find banks full of roses under my cypresses.”
― 
Friedrich Nietzsche- Thus Spoke Zarathustra 

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