What attracted my interest was the recent award
winning essay in New Philosophy entitled ‘Death oh, oh ever teach me ......, which
provides a useful existentialist perspective.
If raises the interesting question what can we
learn from death, since we have yet to experience it?
Wolfgang Gilliar, uses the title ‘Death
oh, oh ever teach me….’ And therein, to
denote his personage (I) as a young trainee nurse to whom he addresses his
thoughts, who does not know anything about death; i.e. he lacks all
understanding of it as he makes no mention of it.
So, to appreciate this essay one
needs to firstly cast aside any religious, and ‘after life’ ideas one might reasonably
have. Rather the “I” as in the young trainee at the hospital is restricted to discussing
the effect and impact on the people surrounding the dying man, and subsequently
hopes to learn something.
What he learns is exemplified in the
titles given to each part of the unfolding narrative: Death, the inquisitor, Death the
invitation to see, Death the unwelcome, Death,
the giver of meaning.
But one notices such revelations are about living with
the prospect of death since death remains inexplicable.
He begins by questioning how to define the family
upon whom the death will impact and the next of kin to be contacted when death
occurs. For many of us that may not be a problem as it may be clearly
documented or understood in close knit families, but for the young trainee’s
experiences that position in practice remained unclear: to whom and when will
such a communication of death be first sent.
He asks the question is it the official next of kin faithfully recorded on the
medical records or some other proxy, such as the executor of the will who
recently added a codicil on the patient’s death bed so to speak, but finishes the essay still not knowing.
His experience in the hospital allowed him to
observe first-hand how patents opened up to him, when he customarily asked if
anything should happen to you, or if God forbid you should die, who is the
person to first contact. Here he began to learn about the human condition,
sometimes to be in the privileged position to be with patients who would soon
die. Death the invitation to see.
He makes the valid point that most people are not
so much afraid of dying but show concerns how they will die, or we might add
how those who are left will cope. But he cites the emergence of often
unexpected resilience as people’s character are exposed as if under the gaze
of a high powered microscope, to illuminate the authentic self. In
that sense, death, in a strange way, might be seen as the Liberator. Death the liberator.
He was assigned to look after the needs of Dr
Nouvel, for several months, who was suffering from a severe form of eye cancer.
But the patient turns his face away from him as if to deny him the chance to look
death in the eye so to speak. Similarly staff voiced the same weary
complaint ‘when will it all end’, to dance around the word to die or
death. Death the unwelcome.
Dr Nouvel had been a gifted physician, a physician’s
physician, whose prior vocation was resplendent in lifesaving approaches. Staff now
talked about his momentarily lapses into despair, manifested in yelling fits at
people over trivial details such as the way his toast was not crisp. Death
in living form.
Sitting with the patience the author describes the
hideous sight he sees. But in a quite movement he reflects on Purcell’s Dide
and Aneas “Where I am laid, am laid in earth .......May my wrongs create no
trouble ...........Remember me, remember me .........but ah, forget my
fate. This moving piece from his only opera composition by Purcell, is played each
year on Armistice Day by a military band at the Cenotaph remembrance ceremony in London’s Whitehall.
“Death
the quiet invader.”
In the final section Dr Nouvel had directed an
intense family family conference, where his will had been updated with his
attorney present, where he exhibited amazing clarity as if he was directing
traffic for the after world. Thereafter, having put his earthly house in
order, firstly his spirit and then his body departed.
Death, the giver of meaning.
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